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Home / Lifestyle / Awadhi Language Endures as Lucknow's Cultural Cornerstone

Awadhi Language Endures as Lucknow's Cultural Cornerstone

4 Nov

•

Summary

  • Awadhi language remains widely spoken in Lucknow despite Persian and Urdu influence
  • Awadhi's gentle sound and politeness contributed to Lucknow's famous Lakhnawi tehzeeb
  • Nawab Wajid Ali Shah's Awadhi thumri became a metaphor for his exile from Lucknow
Awadhi Language Endures as Lucknow's Cultural Cornerstone

As Lucknow celebrates 250 years as the capital city, experts highlight the enduring legacy of the Awadhi language. Even before Lucknow became the seat of the Nawabs, Awadhi was the widely spoken tongue of the local population. Though the courtly influence of Persian and later Urdu was strong during the Nawabi era, Awadhi never lost its significance among the common people.

Awadhi's gentle sound and inherent politeness are credited with contributing immensely to Lucknow's famous Lakhnawi tehzeeb, or etiquette. The iconic gesture of humility, "pehle aap, pehle aap," is perfectly expressed through Awadhi's non-confrontational and respectful tone. Many polite phrases used in Lucknow today have their roots in this linguistic tradition.

The Nawabs themselves were not detached from the local tongue. Nawab Wajid Ali Shah, the last ruler of Awadh, was a prolific composer who deeply embraced Awadhi. A poignant example is the thumri "Babul Mora Naihar Chhooto Hi Jaaye," which the Nawab is believed to have composed and sung as he was exiled from his beloved Lucknow by the British in 1856. This timeless song became a metaphor for his painful separation from his motherland.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
Awadhi's gentle sound and inherent politeness are credited with contributing immensely to Lucknow's famous Lakhnawi tehzeeb, or etiquette, including the iconic gesture of humility "pehle aap, pehle aap."
The Nawab, a masterful artist, is believed to have composed and sung the Awadhi thumri "Babul Mora Naihar Chhooto Hi Jaaye" as he was exiled from his beloved Lucknow by the British in 1856, making the song a timeless metaphor for his painful separation from his motherland.
Despite the courtly influence of Persian and later Urdu, the Awadhi language has endured as the widely spoken tongue of the local population, contributing to Lucknow's rich cultural identity through its use in daily life, folk songs, proverbs, and religious narratives.

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