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Zeeshan Ayyub: Theatre's Star Effect Threatens Originality
10 Aug
Summary
- Zeeshan Ayyub fears star power in theatre harms smaller groups.
- OTT platforms enable more author-backed roles beyond heroes.
- Zeeshan Ayyub remains vocal despite potential resistance.

Mohammed Zeeshan Ayyub, a National School of Drama graduate, is critical of the growing commercialization in theatre, particularly the intrusion of the "star effect." He worries that prioritizing famous faces over raw talent will hinder the survival of smaller theatre groups and dilute the essence of performances.
Conversely, Ayyub acknowledges that increased funding through commercialization could potentially draw artists back to theatre. He credits the rise of Over-The-Top (OTT) streaming platforms for creating opportunities for well-written, author-backed roles, enabling actors like himself to secure leading parts.
Ayyub emphasizes his deliberate choice to engage with socially relevant narratives in films, viewing artists as responsible citizens. He believes storytelling should provoke thought and encourage viewers to observe the world around them. Despite facing resistance for his opinions, he remains resolute in voicing his perspectives.