Marsalis's "All Rise": A Symphony of Unity

Wynton Marsalis's monumental symphony, "All Rise," originally composed in 1999, is being highlighted at this year's Edinburgh International Festival. The 12-movement work is a grand fusion, designed to bring together a 15-piece jazz band, a 50-piece orchestra, and a 100-piece choir, aiming to embody American pluralism.

Marsalis, reflecting on his earlier confrontational persona, now emphasizes collaboration and humility. He acknowledges the contributions of his mentors, including the late conductor Kurt Masur, and his wife, violinist Nicola Benedetti. He notes how Benedetti's detailed feedback on a violin concerto taught him valuable lessons in refinement and humility.

The symphony draws inspiration from various American musical forms like marches, blues, and dance rhythms, seeking common ground between genres. Marsalis highlights connections between tango, choro, ragtime, Anglo-Celtic fiddle music, and New Orleans marches. He also touches upon his spiritual beliefs, which are eclectic and draw from various traditions, reflecting his desire for ecumenical understanding.

Marsalis is also stepping back from his executive leadership role at Jazz at Lincoln Center after nearly four decades, indicating a broader shift in his focus. He expresses a desire to embrace new perspectives, likening it to scientific discoveries that reframe our understanding of the universe.