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Wicked Director Tears Down Walls for Emotional Scene

Summary

  • Director Jon M. Chu demolished a set wall for a pivotal emotional scene.
  • The film explores Oz's political tragedy and the 'birth of a monster'.
  • The movie challenges Oz's strict rules on language and personal expression.
Wicked Director Tears Down Walls for Emotional Scene

Director Jon M. Chu revealed that a pivotal emotional scene in 'Wicked: For Good' involved demolishing a physical set wall to capture authentic character interactions. This decision, made during rehearsals with stars Cynthia Erivo and Ariana Grande, led to a powerful split-frame sequence, becoming Chu's favorite moment. The film's second part, 'For Good,' is described as a descent into political tragedy, contrasting with the lighter tone of the first installment.

The narrative explores the transformation of Boq into the Tin Man as 'the birth of a monster,' driven by feelings of being ignored and seeking validation through collective rage. Chu highlights Boq's realization of community in hate as his true loss of heart, rather than his physical change. The film also addresses Oz's linguistic rules, with Chu advocating for the inclusion of lines like 'I love you' to preserve human authenticity.

Chu acknowledges the film's resonant political themes of misinformation and fracturing communities, noting that the script's core messages, written years ago, feel increasingly relevant. He prefers audiences to interpret the film's ending, particularly the question of Glinda's awareness of Elphaba's fate, allowing for personal interpretation of the characters stepping into the unknown.

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Yes, director Jon M. Chu had a wall demolished on the film set to capture an authentic emotional scene between Cynthia Erivo and Ariana Grande.
The main theme of Wicked: For Good is political tragedy and the dark transformation of characters, exploring how community can be found in hate.
Yes, the film depicts Oz as having strict language rules, such as not being allowed to say 'I love you,' though director Jon M. Chu fought to keep such lines for authenticity.

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