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Director's Garage & Stoppard: A Film's Birth
4 Dec
Summary
- Tom Stoppard adapted Anna Karenina in a garage, fueled by cigarettes and sweets.
- The screenwriter traveled to California to collaborate on the script.
- Stoppard wrote the entire screenplay by hand on a foolscap pad.

A director shares intimate details of collaborating with playwright Tom Stoppard on an adaptation of Anna Karenina. The creative process unfolded in the unconventional setting of a garage in Encinitas, California, during 2010. Stoppard, a keen smoker and lover of sweets, developed the script, focusing on love as a form of madness. This personal theme became the thesis for the entire adaptation.
Stoppard's method involved writing the screenplay by hand on a foolscap pad, with minimal revisions. He was notably adaptable, comfortable in both grand settings like lunch with Mick Jagger and the more modest environment of the garage. Despite budget constraints later altering the film's direction, Stoppard remained supportive of the evolving artistic vision.
The director also reflects on Stoppard's personal qualities, highlighting his intellect, gentleness, and ability to make others feel valued. He saw Stoppard as a role model, particularly inspired by his continuous learning despite leaving school early. Their relationship was characterized by mutual respect, laughter, and a profound human connection.




