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Saxophone meets Violin: Minimalist Masters Unite

Summary

  • Colin Stetson and Sarah Neufeld collaborate on an album of minimalism.
  • Their music feels simultaneously contemplative and busy, like active minds idling.
  • The duo builds simple foundations into layered, complex soundscapes.
Saxophone meets Violin: Minimalist Masters Unite

Montreal-based musicians Colin Stetson and Sarah Neufeld have joined forces to create an album of minimalist music. Stetson, known for his virtuosic saxophone performances, and Neufeld, a violinist with Arcade Fire, achieve an ecstatic communion on their new record, "Never were the way she was." The eight tracks offer a unique sonic experience, feeling both contemplative and busy, like the murmur of thoughts before they speak.

The duo's compositions begin with simple, undulating pulses, upon which they meticulously build layers of sound. Stetson's technical prowess on the saxophone is balanced by Neufeld's unconventional violin work. Their music often creates the illusion of a single, massive instrument, such as an amplified church organ. This approach results in pieces like "Won't be a thing to become," featuring smooth bowing and even tones, and "In the vespers," with its anxious, high-pitched saxophone and sharp violin accompaniment.

Despite an amorphous mood, the album possesses a steely, elemental feel, evoking pre-industrial times. Tracks like "With the dark hug of time" feature hammering keys and low-frequency drones reminiscent of ambient music. The foundation of the album relies on the power and warmth Stetson and Neufeld generate together, proving what can be achieved with just two instruments and two hands.

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