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Stage Kiss: Love Blooms Amidst Hammy Musicals
17 May
Summary
- Play explores rekindled first love between actors.
- Satirical send-up of 1930s musicals and rehearsal antics.
- Set design cleverly shifts between stage and reality.

A new production of Sarah Ruhl's 2011 romantic comedy, "Stage Kiss," is currently running at the Hampstead Theatre in London. The play centers on two actors, He and She, who are cast as former lovers in a melodrama titled "The Last Kiss." As they navigate a troubled production, they find their own first love rekindling offstage, despite She being married.
The play functions as a farcical send-up of both 1930s musical theatre and the often chaotic dynamics of theatrical rehearsals. Director Blanche McIntyre's production effectively delivers satirical nods to the genre and moments of physical comedy. However, "Stage Kiss" also delves into the complex interplay between art and life, questioning the authenticity of onstage emotions.
The production's metatheatrical elements, such as the house lights remaining up during an audition scene, create deliberate ambiguity. This intentional slippage between reality and performance complicates the central question of whether on-stage romance can translate into genuine feelings. The capable leads, Patrick Kennedy and MyAnna Buring, struggle to build a convincing connection amidst this interpretive haze.
Robert Innes Hopkins' set design adeptly handles the play's shifting realities, transitioning between rehearsal spaces, the stage, and characters' apartments. The use of revolving set pieces further enhances this fluidity, immersing the audience in various perspectives. Despite the dynamic staging, the play's deliberate ambiguity ultimately challenges its emotional core.