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Malayalam Music Maestro SP Venkatesh's Enduring Legacy
7 Feb
Summary
- SP Venkatesh composed iconic tunes for Malayalam cinema.
- His music evoked nostalgia for 1980s and '90s Malayalis.
- He rose to prominence with 'Rajavinte Makan' in 1986.

SP Venkatesh, a composer of Tamil origin, became synonymous with nostalgia for a generation of Malayalis through his iconic music. His compositions for Malayalam cinema, particularly those from the 1980s and '90s, possess a unique ability to evoke cherished memories of childhood and youth. A standout example is the song 'Ormakal, Ormakal, Odakuzhaloothi' from the 1995 film Spadikam. Venkatesh's career in Malayalam cinema saw a rapid ascent, beginning with significant contributions to films like Thampi Kannanthanam's 'Rajavinte Makan' in 1986, which featured three unforgettable tracks. He played a crucial role in completing and substituting for veteran composer Shyam on projects like 'Nirakkoottu' and 'Shyama'. A turning point in his career arrived with Priyadarshan's 'Kilukkam' in 1991, which, along with 'Thudarkkadha,' revitalized his fortunes, making him the most sought-after music composer for the subsequent five years. This period also saw him excel in devotional genres, evident in songs like 'Sharonil Viriyum' from 'Koodikkazhcha' and 'Yerushalem Gopike' from 'Vazhiyorakkazhchakal'. The years 1992 and 1993 were exceptionally prolific, with Venkatesh delivering a string of hits for numerous films, including 'Nadodi,' 'Johnnie Walker,' and 'Valsalyam.' He received the Kerala State Film Award for his work in 'Janam' and 'Paithrukam,' showcasing his versatility with compositions like the revolutionary 'Rakthapushpam'. Further successes followed with films such as 'Spadikam' (1995), 'Mannar Mathayi Speaking,' and 'Aniyan Bava Chettan Bava,' solidifying his top position in the industry. While his popularity saw a decline by 1998, his final widely recognized classic, 'Mizhiyithalil' from 'Onnaman' (2002), marked the end of his extensive journey in Malayalam cinema. Venkatesh's orchestrations and background scores, notably for Priyadarshan's films and IV Sasi's 'Devasuram,' were often lauded for elevating the overall cinematic experience. Despite disappearing from the Malayalam scene for over two decades, his music continues to resonate, enchanting new generations with its timeless appeal.

