From Flop to Fan Favorite: Showgirls' Rise

Released in September 1995, "Showgirls" initially led to a career downturn for star Elizabeth Berkley, with her agency dropping her and opportunities drying up. Director Paul Verhoeven later expressed remorse for the fallout, stating he alone should be blamed. The NC-17 film featured Berkley as Nomi Malone, a dancer with an uninhibited performance style, a stark contrast to her previous wholesome television role.

Despite its disastrous initial reception, "Showgirls" has achieved a surprising turnaround over the last 30 years. It has become one of MGM's best-selling titles and has seen a significant critical re-evaluation, garnering a loyal following. Actress Elizabeth Berkley noted in 2015 that the film's enduring relevance is tied to its embrace by audiences.

The film is now viewed by many as a daring satire on exploitation within the entertainment industry. While initially criticized for not being sexy, its marketing targeted young men, which some interpret as an intentional prank or lesson. Critics like Jacques Rivette and Michael Atkinson have praised its subversive nature and Verhoeven's satirical genius.

However, the movie is not without its deeply problematic elements, notably a violent and abrupt rape scene involving the character Molly, a woman of color. This scene has been called unnecessary and offensive by some, though others, like Gina Gershon, have come to understand its role in highlighting the protection afforded to powerful men, thereby amplifying Nomi's subsequent vengeance.

"Showgirls" quickly became known for its "high camp" aesthetic, evolving into a midnight-movie phenomenon, particularly among gay audiences. MGM capitalized on this, and the film's unique dialogue, like Nomi's pronunciation of "Versayce," entered pop culture. While Berkley's film career didn't fully recover, she has found success elsewhere and remains proud of the film's lasting impact and continued celebration by cinephiles and the LGBTQ+ community.