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Shaker Film's 34-Day Shoot: A Visual Marvel

Summary

  • The film was meticulously planned using the Artemis app for pre-visualization.
  • A cast and crew of 34 days achieved remarkable visual quality on 70mm film.
  • Director Mona Fastvold's energetic leadership inspired the entire production team.
Shaker Film's 34-Day Shoot: A Visual Marvel

The creation of "The Testament of Ann Lee," a period musical chronicling the Shaker movement's founding, stands as a remarkable feat of filmmaking. Shot entirely on 70mm film within a condensed 34-day period, the independent production boasts a visual richness far exceeding its modest budget, a testament to careful planning and a dedicated crew.

Cinematographer Will Rexer highlighted the critical role of the Artemis viewfinder app in pre-visualizing every shot, a technique that replaced conventional storyboarding. Lengthy discussions and collaborative efforts among the director and department heads during pre-production ensured a cohesive vision, preventing any unexpected visual clashes and streamlining the rapid shoot.

Beyond technical preparation, the film's success was propelled by Mona Fastvold's dynamic leadership. Her infectious enthusiasm and relentless energy served as a powerful motivator for every department, fostering a spirit of shared accomplishment that resonated throughout the production, ultimately contributing to the film's extraordinary outcome.

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The film was shot in an intensive 34-day period using extensive pre-visualization with the Artemis app and close collaboration among the crew.
The Artemis app was used for pre-visualizing every shot, serving as a digital storyboard to ensure efficiency during the rapid 34-day shoot.
The film was directed by Mona Fastvold, whose passionate leadership was key to the production's success.

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