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School Spirits' Music Magic: How Songs Define the Show
5 Mar
Summary
- Music supervisor Whitney Pilzer emphasizes creative freedom in song selection.
- The show uses music to reflect character eras and drive narratives.
- Songs like 'Doomsday' and 'Chicago' have become iconic for the series.

The Paramount+ series 'School Spirits' distinguishes itself through its musically ambitious approach, weaving a diverse soundtrack into its supernatural narrative. Music supervisor Whitney Pilzer highlights how the show utilizes its premise of characters tethered to different decades as both a narrative and musical engine. This deliberate use of music, spanning various eras, has become a defining characteristic of the series, resonating with audiences and even boosting artist recognition.
Pilzer, involved from script to final delivery, strategically builds music libraries to accommodate budget constraints while pursuing impactful placements. The selection process often involves personal enthusiasm and collaborative decision-making, leading to memorable sequences like a psychedelic dance number set to Sufjan Stevens' 'Chicago' for Quinn's self-discovery. Even songs initially outside the budget can be integrated through careful negotiation and creative adjustments within the episode's overall financial plan.
The series intentionally features recurring artists, such as Lizzy McAlpine and Ethel Cain, fostering a recognizable sound that enhances world-building. Pilzer emphasizes that the music shapes the characters' environment and serves as a distinct element within the show. This approach ensures that the music remains with viewers long after the credits roll, solidifying its role as a crucial component of the 'School Spirits' experience.




