Home / Arts and Entertainment / Inflatable Serpent and Orientalism Plague 'Krishna' Opera

Inflatable Serpent and Orientalism Plague 'Krishna' Opera

Summary

  • John Tavener's posthumous opera 'Krishna' is a 'mystical pantomime'.
  • The production featured an inflatable serpent and 19th-century Orientalist staging.
  • Performers and orchestra received warm applause despite the opera's perceived shortcomings.
Inflatable Serpent and Orientalism Plague 'Krishna' Opera

The posthumous world premiere of John Tavener's 2005 opera, 'Krishna,' took place at Grange Park Opera as a "mystical pantomime." The work faced significant criticism for its outdated approach, evoking 19th-century Orientalism in its staging and themes. The production featured an inflatable serpent and characters striking poses, with limited dynamic acting.

Despite the opera's perceived shortcomings, the performers and the Gascoigne Orchestra were commended for their admirable efforts. Ross Ramgobin's portrayal of the Celestial Narrator and Eliran Kadussi as Krishna were notable. Conductor Mark Shanahan expertly guided the orchestra through Tavener's post-minimalist textures, while Nao Masuda's drumming provided dramatic punctuation.

The opera's libretto, by Tavener himself with inspiration from Ranchor Prime, suffered from inaudibility due to melismatic vocal lines and orchestral muddiness. Surtitles also proved unreliable. Ultimately, the production highlighted a gap between contemporary cultural attitudes and the opera's content, suggesting some works are best left unperformed.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.

Read more news on

Property Code: 5571