Conspiracy Comedy: Mom's QAnon Obsession Hits Stage

Crystal Finn embodies Jeanie, a devoted mother immersed in QAnon conspiracy theories, in Anne Washburn's new play, "Anon." Finn's signature performance captures a character both comically misguided and self-assured, constantly posting online warnings and espousing beliefs like John F. Kennedy Jr.'s imminent return.

However, Jeanie's online extremism causes tangible damage. Her teenage daughter absorbs her bigotry, and her husband longs for escape. The play, set in a suburban Texas town, ironically features a gay couple as her most devoted online audience, one of whom becomes obsessed with her content.

Director Anne Kauffman and playwright Anne Washburn navigate this sensitive topic, using video projections and a minimalist set to depict Jeanie's descent. While the humor stems from bombast and conspiracy claims, the article suggests that the real-world absurdity of QAnon may have outpaced satire's ability to capture it.

Washburn, known for her precise explorations of apocalyptic themes in works like "Mr. Burns, a Post-Electric Play," attempts a middle path. The play examines how gleeful fascination with extremist content can itself become a destructive force, impacting families and communities.