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Prisoner Songs: A Voice for the Voiceless
20 Jan
Summary
- A musical theatre piece uses songs co-written with formerly incarcerated individuals.
- Research reveals societal and structural issues impact re-entry success rates.
- The show features a 'Scottish indie folk supergroup' performing diverse voices.

A Giant on the Bridge, a piece of gig-theatre, directly addresses the often-overlooked aspects of decarceration and re-entry into society. Developed from the Distant Voices: Coming Home research project, the show features songs co-written by individuals with direct experience of the prison system.
The research uncovered that re-entry challenges are frequently linked to societal and structural factors, such as employment opportunities and family support. Collaborative songwriting sessions in prisons and community settings provided a space for participants to explore these difficult experiences.
Performed by a specially assembled group of Scottish musicians, dubbed a 'Scottish indie folk supergroup', the piece brings together a plurality of voices. The theatrical approach allows performers to embody different characters and stories, fostering an intimate connection with the audience.
The production does not offer easy answers but rather aims to create a space for empathetic listening and reflection on the complexities of life after incarceration. It seeks to stimulate thoughtful conversations about justice issues in Scotland, where imprisonment rates remain high.




