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Home / Arts and Entertainment / Cinematographer Masters Light for Percy Jackson

Cinematographer Masters Light for Percy Jackson

28 Jan

•

Summary

  • Filming "Percy Jackson and the Olympians" in Vancouver faced challenging fall weather.
  • Cinematographer Jules O'Loughlin adapted to rain, sun, and variable light conditions.
  • Actors are learning cinematography to enhance their performance delivery.
Cinematographer Masters Light for Percy Jackson

The production of "Percy Jackson and the Olympians" Season 2 in Vancouver encountered considerable hurdles due to fall weather. Series cinematographer Jules O'Loughlin detailed the complexities of capturing optimal lighting, often contending with overcast skies and unexpected rain.

O'Loughlin described the necessity of creating soft light on stage, while outdoor scenes required careful management of natural light, especially during sunrise or sunset. He recounted a tense scene with the Sirens that was hampered by pouring rain, forcing the crew to shield actors and work quickly within limited daylight hours.

Even a high-stakes chariot race scene demanded meticulous attention to variable weather conditions across shooting days. O'Loughlin employed techniques like black solids for negative fill and shape control, alongside a custom process rig and inspiration from historical films to achieve a visually dynamic yet safe sequence.

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Beyond technical challenges, O'Loughlin focused on educating the young cast about camera work. Actors like Dior Goodjohn proactively sought to understand how lenses and camera placement impact their performances, demonstrating a keen interest in enhancing their craft. The third season shoot is scheduled to wrap in March 2026.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
Filming Season 2 of "Percy Jackson and the Olympians" in Vancouver faced challenges with fall weather, including overcast skies and rain, requiring careful management of natural light.
The cinematographer used techniques like creating soft light on stage and managing natural light for outdoor scenes, employing black solids for fill and shape, and working quickly during limited daylight when weather was poor.
Yes, young actors like Dior Goodjohn are actively learning about cinematography, understanding how camera work, lenses, and placement can enhance their performances.

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