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Philanthropist Funds Brazilian Cinema Revival Single-Handedly
18 Apr
Summary
- Brazilian cinema receives significant backing from a single philanthropist.
- Projeto Paradiso supports Brazilian filmmakers with bursaries and training.
- The institute operates with unprecedented speed and minimal bureaucracy.

A single philanthropist, Olga Rabinovich, is single-handedly reshaping the future of Brazilian cinema through the Projeto Paradiso initiative. Launched in 2019, the program offers extensive support to Brazilian screen professionals, focusing on internationalization and providing bursaries, training, and resources. This year, Projeto Paradiso celebrates its third national talent network meeting, highlighting its significant impact.
Rabinovich, driven by a desire to give back, identified a critical gap in development funding within Brazil's film industry. Despite existing production incentives, filmmakers often lacked the time to mature scripts due to financial pressures. Projeto Paradiso's incubator program and its agile approach, funded privately and free from heavy bureaucracy, have proven instrumental in filling this void.
The institute's efficiency is remarkable, as noted by producers who have received rapid bursaries for international festivals. This swiftness is attributed to private funding and direct channels between the organization and talent, allowing for quick decisions. Projeto Paradiso prioritizes smaller, impactful grants, such as 'final cash' for project completion, often around $3,000, which can be pivotal for filmmakers.
Rabinovich views Projeto Paradiso as a long-term commitment, aiming for perpetual operation. The initiative has grown significantly, especially in response to cultural funding cuts, and has become a vital lifeline for Brazilian filmmakers, securing the ongoing development and success of the nation's cinema.