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Classical Music's Bloody New Sound
13 Mar
Summary
- Noémi Büchi's album 'Exuvie' blends classical forms with digital manipulation.
- The album title 'Exuvie' references ancient spoils and insect molting husks.
- Büchi uses her voice, piano, and synthesizers to create visceral sonic textures.

Pianist and sound artist Noémi Büchi has released her new album, "Exuvie," which audaciously reimagines classical music. Drawing inspiration from the raw, visceral origins of instruments like gut-strung violins and skin-headed timpani, Büchi applies a modern, digitally mangled aesthetic. The album's title, "Exuvie," has a dual meaning, referencing spoils from ancient combat and the molted husks of insects, a metaphor for shedding previous sonic skins.
Büchi's work on "Exuvie" stitches together disparate genres and historical periods, creating a collage of "dislocated bodies." Tracks like "the cryptic precision" exhibit a fragmented, assembled quality, evoking comparisons to artists known for blending organic and artificial sounds. The album explores intense sonic experiences, including amplified internal body sounds, with tracks described by their vibrational qualities rather than traditional instrumentation.




