Naoshima: From Pollution to Paradise

Naoshima, an island in the Seto Inland Sea, has undergone a remarkable transformation since 1989. Once heavily polluted and dominated by a Mitsubishi plant, it is now celebrated as Japan's "art island." Billionaire Sōichirō Fukutake spearheaded its redevelopment, creating a unique destination studded with minimalist galleries designed by architect Tadao Andō.

These galleries house works by renowned artists, but the island is perhaps most famous for Yayoi Kusama's giant yellow-and-black spotted pumpkin, installed in 1994. A significant draw for visitors seeking a transcendental experience is Lee Ufan's 11m tall "Gate to Infinity" sculpture, which appears to amplify the surrounding natural beauty.

Lee Ufan, a Korean-born artist turning 90 next month, is celebrated with dedicated museums in Naoshima and Arles, France. He is also preparing for major exhibitions in Venice and Dia Beacon, New York, showcasing his career from the late 1960s, including his foundational Mono-ha movement works.

Born in 1936, Lee's artistic journey began amidst post-war Korea and Japan's socio-political shifts. Initially studying music, he later pursued philosophy in Tokyo before venturing into art, facing early criticism. His exploration of the relationship between objects and nature, often using heavy materials and philosophical concepts, has defined his influential career.

Lee's artistic philosophy emphasizes minimalism and the viewer's perception. He aims for his work to inspire contemplation and a deeper connection with the universe, stating, "I want my work to take you to a place where you can feel the deep breath of the universe."

His studio in Kamakura, Japan, reflects his dedicated practice, filled with art books and brushes. Lee continues to work diligently, attributing his vitality to hard work, constant learning, and a nomadic lifestyle. He emphasizes the importance of silence and breath exercises to achieve a meditative state before creating.