Who is Matthew Ball and why is he called 'the Posh & Becks of ballet'?

Matthew Ball is a principal dancer at the Royal Ballet, often partnered with Mayara Magri. They are nicknamed 'the Posh & Becks of ballet' due to their prominent status and public profile.

How does Matthew Ball use negativity in his ballet performances?

Ball suggests he 'kind of enjoys negativity,' seeing it as an instigator for positive change and a way to delve into complex emotional roles that require him to process internal struggles.

What are Matthew Ball's future plans in ballet choreography?

Matthew Ball plans to create his own choreography, aiming for work that is loaded with meaning and draws inspiration from various art forms, moving beyond traditional 'pretty shapes'.

Home / Arts and Entertainment / Ballet's 'Posh & Becks' on Art, Angst, and Enjoying Negativity

Ballet's 'Posh & Becks' on Art, Angst, and Enjoying Negativity

4 Dec, 2025

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Summary

Dancer Matthew Ball thrives on psychological depth in demanding roles.
He finds motivation in negativity, viewing it as a catalyst for change.
Ball aims to create meaningful choreography, drawing inspiration from arts.

Ballet's 'Posh & Becks' on Art, Angst, and Enjoying Negativity

Matthew Ball, a principal dancer at the Royal Ballet, discusses his artistic approach, acknowledging a 'dark side' that fuels his performance. He finds unexpected enjoyment in negativity, viewing it as a catalyst for personal and artistic growth, a mindset that has driven his successful career.

Ball prefers roles that allow him to explore psychological turmoil, but even technically demanding ballets like Don Quixote present a unique 'neural fatigue.' He finds that the intensity of performance can lead to a sense of embarrassment afterward, questioning what he revealed emotionally.

Looking ahead, Ball is venturing into choreography, seeking to create work rich in meaning by drawing inspiration from literature, music, and painting. He aims to present dance in intimate settings, enhancing its tangibility and connection with the audience.