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Aguayo's Voice: A Chameleon on the Dancefloor
29 May
Summary
- Aguayo's versatile vocals blend Latin rhythms, house, and trance.
- His new album, Anenoa, marks a return to vocal-focused dancefloor tracks.
- The album features playful vocal experiments from chipmunk to baritone.
Matías Aguayo, the Chilean-German producer celebrated for his distinctive, mutable vocals, has released his latest album, Anenoa. This new work signifies a vibrant return to vocal-centric electronic music, following his previous instrumental foray. The album is characterized by hard-hitting, dancefloor-ready arrangements that masterfully incorporate Latin rhythms, ghetto house, and trance elements.
Opener 'Sentimientos Encontraos' immediately sets an energetic pace with its syncopated Latin beat and Aguayo's hypnotic chanting. Tracks like 'Asuka, Rock, Roll' explore ghetto house influences, while 'Avestruz en Veracruz' dives into trance with processed vocal effects. The album also features collaborations, such as on 'La Heredera,' an 80s-style synth-pop track with Latin American singers Iarahei and Camille Mandoki. Aguayo's vocal performances on Anenoa are marked by a playful versatility, experimenting with diverse tones and textures across the record, creating an irresistible invitation to move.
