Guitarist Reimagines Global Sounds from Harry Smith's Vault

Guitarist Marisa Anderson has released "The Anthology of UnAmerican Folk Music," a collection born from her deep dive into Harry Smith's extensive record collection at the Bob Dylan Center. Initially stopping by in 2022, Anderson became captivated by a vast array of LPs, particularly those from outside the United States, dating from the 1950s to the 1970s.

Her nine-day project meticulously digitized these records, focusing on music from regions historically in conflict with the United States. The resulting album features Anderson's distinctive guitar work, offering instrumental pieces that recontextualize global folk traditions. The title itself is a pointed commentary, alluding to both Smith's influential compilation and the House Un-American Activities Committee.

Anderson's initiative extends beyond music; a portion of the album's proceeds will benefit Tamizdat, a nonprofit assisting international artists with U.S. visa issues. She emphasizes the importance of curiosity and listening to counter reductive narratives about people from countries presented as adversaries, believing that change begins with a willingness to engage.

Anderson's musical journey, spanning classical guitar training and years of D.I.Y. endeavors, has informed her unique approach. Her previous work includes collaborations and film scores, showcasing a consistent dedication to exploring diverse musical landscapes with sensitivity and purpose. This latest project continues her exploration of how music migrates and transforms across borders.