Guitarist Reimagines Enemy Nations' Folk Music

Guitarist Marisa Anderson's recent musical project, "The Anthology of UnAmerican Folk Music," offers a profound reimagining of traditional songs. These pieces originate from nations that the United States has identified as adversaries during her lifetime.

Anderson's inspiration arose from an exploration of folklorist Harry Smith's expansive record collection, which contained thousands of folk recordings from across the globe. This discovery prompted a deep dive into diverse musical traditions.

Her interpretations are not limited to the guitar, incorporating instruments like the requinto jarocho and pedal steel. The project reflects the pervasive influence of "forever war" on Gen X, translating complex global realities into resonant music.

Anderson's approach is marked by humility and a deep sensitivity, acknowledging the vastness of what she has learned. Her relationship with these songs has grown over extensive listening and playing, akin to a lifelong partnership.