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Marathi Plays Defy Norms, Reach 1000 Shows
22 Jun
Summary
- Two Marathi plays mark a decade of radical storytelling.
- Plays challenge historical myths and forgotten female narratives.
- Performances approach their landmark 1000th show milestone.
Marathi theatre is witnessing a significant shift with two plays, 'Shivaji Underground in Bhimnagar Mohalla' and 'Sangeet Devbhabhli,' celebrating over a decade of unique storytelling. These productions have moved beyond traditional entertainment to provoke thought and inspire change, heading towards their 1000th show.
'Shivaji Underground in Bhimnagar Mohalla,' penned by Rajkumar Tangde, critically examines historical narratives surrounding Shivaji Maharaj. The play deconstructs the myth of Shivaji as solely a Hindu king fighting Islam, presenting him instead as an egalitarian ruler focused on his subjects' welfare, irrespective of religion.
'Sangeet Devbhabhli,' directed by Prajakta Deshmukh, offers a poignant musical exploration of the lives of women marginalized by the pursuits of famous men. It centers on Avali, wife of Sant Tukaram, and Rakhubai, consort of Lord Vitthal, highlighting their personal struggles and domestic realities.
Both plays, in their distinct ways, echo Dr. Ambedkar's critique of societal inequalities, emphasizing the need to address the concerns of common people often ignored in populist historical accounts. They aim to strip away false sanctity and assert theatre's role in reflecting life's realities.
