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Lonnie Holley: From Sculpture to Soulful Soundscapes

Summary

  • Holley, 68, debuts on Jagjaguwar with MITH, exploring American suffering.
  • His album transforms found art techniques into profound musical reflections.
  • MITH concludes with a surprisingly joyful call to dance and embrace life.
Lonnie Holley: From Sculpture to Soulful Soundscapes

Lonnie Holley, a celebrated 68-year-old sculptor, releases his Jagjaguwar debut, MITH. The album serves as a powerful exploration of the United States and its struggles.

Holley, known for transforming discarded materials into art, applies a similar philosophy to his music. MITH delves into themes of suspicion and suffering, particularly for Black individuals in America. The 18-minute centerpiece, "I Snuck Off the Slave Ship," traces historical and ongoing oppressions, from chattel slavery to wage labor.

"I Woke Up in a Fucked-Up America" further articulates contemporary anxieties, referencing political discourse and electoral processes. Despite the album's often intense and disquieting tone, Holley includes moments of unexpected levity.

The album features avant-garde musicians and concludes with "Sometimes I Wanna Dance." This final track offers a contrasting gaiety, urging listeners to move and find joy as a form of resilience against pervasive negativity.

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