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Home / Arts and Entertainment / Film Explores Privilege Through Refugee Encounter

Film Explores Privilege Through Refugee Encounter

1 Feb

•

Summary

  • Film uses non-professional actors and real-life migrants.
  • It examines Scandinavian privilege and moral complexities.
  • The drama unfolds at a luxury resort after an accident.
Film Explores Privilege Through Refugee Encounter

The Göteborg Dragon Award-winning film "The Last Resort" by Norwegian director Maria Sødahl offers a provocative look at Scandinavian privilege. Set in a luxurious resort, the narrative follows a Danish family grappling with moral questions after an incident involving an Afghan refugee. Sødahl intentionally uses non-professional actors and real-life migrants to imbue the drama with authenticity.

The film is described as a moral fable, not a documentary, exploring the well-meaning but often naive humanistic gaze of privileged Scandinavians. Sødahl notes that "The Last Resort" is less about the migrant crisis and more about how privileged individuals confront non-privileged realities and their own self-image.

Shot in the Canary Islands, the production carefully maintained a subtle dramatic tone, aiming for a sense of truth rather than satire. Sødahl aims for audiences to identify with the characters' uncomfortable situations, highlighting timeless themes of shame, guilt, and fear of the other.

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Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
The central theme of 'The Last Resort' is how privileged individuals confront non-privileged realities and their own self-image when faced with uncomfortable situations.
Maria Sødahl's film 'The Last Resort' stars Esben Smed and Danica Curcic, alongside a cast of non-professional actors and real-life migrants.
'The Last Resort' was shot in the Canary Islands.

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