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Khalif Thompson: Where Y2K Dreams Meet Art Lineage
8 Oct
Summary
- Khalif Thompson's Y2K-inspired portraits blend personal history with art lineage.
- New exhibition at London's Victoria Miro gallery features paintings with collage.
- Thompson uses playful symbols like letters and numbers to represent lightness.

Khalif Thompson, a Brooklyn-born artist, presents a new exhibition of his paintings at London's Victoria Miro gallery. His work is characterized by Y2K-era nostalgia, drawing from personal experiences and family albums to create intimate domestic scenes and vibrant cityscapes. Some pieces also incorporate elements of collage and printmaking, reflecting a distinctive artistic style.
The exhibition, named "Send in the Clowns," shares its title with a Stephen Sondheim ballad. Thompson imbues his art with a blend of playfulness and melancholy, using seemingly random symbols like letters and numbers. He likens these elements to "clowns," serving as his personal response to tragedy by injecting lightness and levity.
Thompson cites Kerry James Marshall's "Past Times" (1997) as a significant inspiration, particularly Marshall's innovative use of materials and bold decorative elements. He also finds resonance in Martin Wong's "La Vida" (1988), a painting that commemorates individuals and captures the essence of Manhattan's Lower East Side culture.
A painting titled "Pearl," created by Thompson, is featured in the exhibition. This piece is centered around a photograph of his older sister, with its surroundings imaginatively constructed by the artist to add clarity and depth. The work includes elements like a mirror reflection and a dresser from his grandmother, showcasing Thompson's ability to build narratives around personal memories.