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Home / Arts and Entertainment / The 1970s Spark: How Kannada Theatre Found Its Purpose

The 1970s Spark: How Kannada Theatre Found Its Purpose

20 Dec

•

Summary

  • Great writers spurred social themes and purpose in Kannada theatre.
  • College theatre played a vital role in sustaining the movement.
  • Regional troupes emerged, decentralizing theatre from the capital.
The 1970s Spark: How Kannada Theatre Found Its Purpose

Kannada theatre has long transcended entertainment, functioning as a cultural movement and a space for social reflection. This enduring impact traces back to the 1970s, a transformative period where theatre consciously prioritized purpose over spectacle. Influential writers and directors steered the movement towards progressive social themes, giving rise to significant theatre troupes.

The emergence of institutions like Ninasam and Rangayana in the 1980s further solidified this evolution. These schools provided rigorous training, cultivating a new generation of artistes who disseminated their knowledge across Karnataka. College theatre also played a pivotal role in nurturing talent and ensuring the continuity of the art form.

Initially centered in Bengaluru, Kannada theatre expanded its reach as districts began forming their own troupes. This decentralization, coupled with new literature and cinema, contributed to a broader cultural awakening, solidifying theatre's place as a vital artistic and social force.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
B V Karanth's work in the 1970s was instrumental in making Kannada theatre a progressive form with significant social themes.
Colleges played a huge role in keeping Kannada theatre active, with many students continuing their involvement after graduation.
From the 1970s onwards, each district in Karnataka began forming its own troupes, leading to the decentralization of theatre.

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