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Shame Unveiled: Dogra's Stark Stage Confrontation

Summary

  • Jyoti Dogra's performance uses minimalism to explore women's relationship with their bodies.
  • The play confronts internalized shame, self-judgment, and inherited societal pressures.
  • Audience discomfort shifts, revealing how shame structures daily life and self-perception.
Shame Unveiled: Dogra's Stark Stage Confrontation

Jyoti Dogra's "Maas" offers a provocative theatrical journey, employing minimalist staging to hold a mirror to societal conditioning. The performance stripped away layers of performance, costume, and guardedness to expose how women navigate bodies shaped by external judgment and inherited shame.

Dogra's arresting presence and unsettling "striptease" challenged the audience, shifting their initial amusement to profound quietude as themes of self-inflicted judgment and internalized violence emerged. The play compels recognition of shame's silent structuring of personal behavior and self-image.

Ultimately, "Maas" confronts deep-seated collective shame without relying on spectacle. It fosters a space for self-reflection, highlighting the pervasive nature of self-policing and the struggle to embrace one's body with kindness amidst societal pressures, as noted by attendee Jaya Seal Ghosh.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
'Maas' is a theatrical performance that uses stark minimalism to explore how women internalize shame, societal gaze, and patriarchal judgments related to their bodies.
The play intentionally creates discomfort by confronting themes of self-inflicted judgment and internalized violence, prompting the audience to recognize how shame structures their self-perception.
The play's core message is about recognizing and confronting the deeply ingrained societal shame that affects how individuals perceive and treat their own bodies, encouraging self-acceptance.

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