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Joji's New Album: Vibes Over Vocals?
11 Feb
Summary
- Joji's latest album explores diverse production but lacks lyrical depth.
- The artist's vocal delivery remains detached throughout the record.
- Compelling production clashes with unspecific songwriting and listless vocals.

Joji's fourth album, 'Piss in the Wind,' showcases an attempt to evolve his somber R&B sound with a scattershot approach to production, ranging from piano ballads to trap songs. Despite efforts to modernize, the album frequently gets bogged down by unspecific songwriting and detached vocals, leaving Joji feeling distant and unknowable.
The album's strongest moments arrive with its more aggressive and noisy production, a departure from his previous sleepy soundscapes. Tracks like the self-produced "PIXELATED KISSES" and "Soujourn," featuring contributions from artists like Kenny Beats and Dylan Brady, deliver compelling vibes. Collaborations with Yeat also add an energetic, albeit sometimes lackadaisical, element to certain songs.
However, much of the record struggles to impress, with many ballads highlighting Joji's shortcomings rather than his strengths. Features from artists like Giveon underscore the lack of pathos in Joji's vocal performances. The core issue persists: a lack of emotional depth and plainspoken, unspecific lyrics that fail to connect, making the artist sound anonymous despite promotional stunts designed to create mystery.




