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Home / Arts and Entertainment / Theatre's purpose: To disturb, not coddle

Theatre's purpose: To disturb, not coddle

5 Feb

•

Summary

  • Theatre should challenge and disturb audiences, not coddle them.
  • Trigger warnings risk sanitizing plays and dulling the intended impact.
  • High production costs make theatre producers fearful of challenging themes.
Theatre's purpose: To disturb, not coddle

Theatre, according to Tony award-winning director John Doyle, should aim to disturb and challenge its audience rather than coddle them. Doyle warns that the increasing use of trigger warnings risks sanitizing the art form, removing the impactful experience intended by playwrights. He draws parallels to Shakespeare, whose works often explore the darkest aspects of the human condition, and expresses concern that an overemphasis on audience comfort could lead to a diluted artistic landscape.

Doyle also points to the financial pressures within the theatre industry as a contributing factor. The extreme cost of staging productions, he suggests, makes producers and directors fearful of mounting plays that might challenge viewers or receive negative reviews for being "too upsetting." This financial risk, he argues, discourages the exploration of raw and uncomfortable themes.

Instead of relying on spectacle and expensive technological effects, Doyle advocates for a return to honest storytelling. He believes that theatre can be more culturally inclusive and less costly by focusing on compelling narratives and human interaction, rather than elaborate visual displays. This approach, he contends, allows the art form to better connect with its audience and fulfill its potential for genuine impact.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
John Doyle believes trigger warnings risk "mollycoddling" audiences and sanitizing theatre, arguing that plays are meant to disturb and challenge.
Producers and directors have become afraid of challenging audiences due to the extreme financial risks involved in staging productions.
Doyle suggests a return to honest storytelling that doesn't rely on spectacle or expensive special effects, making theatre more inclusive and less costly.

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