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Jia Zhang-ke's 'Torino Shadow': A Love Letter to Cinema
17 May
Summary
- The film was inspired by listening to voices in a museum, not filmmaking.
- It connects Taishan, China, and Turin, Italy, through architecture and shadow puppetry.
- Jia expresses anxiety about shrinking cinema audiences and advocates for traditional film.

Director Jia Zhang-ke's 32-minute short film, "Torino Shadow," selected for Cannes, delves into the personal meaning of cinema from an audience's perspective. The inspiration struck Jia while visiting a museum in Turin, Italy, leading him to focus on film appreciation over professional creation.
The film establishes connections between Taishan, China, and Turin, noting similar arcade architecture and cultural echoes like shadow puppetry. Jia emphasizes shared human experiences over cultural differences in a globalized world, finding commonality in elements like shadow puppetry and early cinema's evolution.
Jia conveys an urgent message about the shrinking audience for traditional cinema's aesthetic and philosophical pleasures. He uses the film to champion the necessity of cinemas and filmmaking, distinguishing its collective, imaginative spirit from the isolating nature of AI-generated content.
Production for Jia's next feature film has been delayed and is now expected to begin after the Pingyao International Film Festival later this year. His distribution label, Unknown Pleasures, is also expanding its roster, acquiring films and supporting projects from other notable directors.