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Love story confronts class divide in Spain
13 Feb
Summary
- Film uses thermal vision concept to explore human connection.
- Class conflict, not immigration, drives the central love story.
- Co-production involved Spain, Germany, and Belgium financiers.

Spanish director Ian de la Rosa's debut feature, 'Iván & Hadoum,' world premieres in Berlin. The film's initial concept stemmed from analyzing thermal vision in 'Predator,' aiming to see individuals beyond societal judgments. This idea evolved into a love story set within industrial greenhouses in southern Spain.
The narrative follows Iván's pursuit of promotion, which jeopardizes his relationship with colleague Hadoum. Director De la Rosa highlights that class conflict, specifically the struggle to climb the social ladder, serves as the main obstacle for the protagonists. This theme is encapsulated by Hadoum's line, "They exploit you the same everywhere. Only the scenery changes."
The Spain-Germany-Belgium co-production was born from European collaboration networks, securing the Eurimage Coproduction Award early on. Despite financing challenges, the project involved multiple producers and broadcasters across territories, including Avalon, Pecado Films, Port-au-Prince Films, and Saga Film.
De la Rosa, previously a Goya nominee for his short film 'Farrucas,' focused on class dynamics over immigration. The casting of leads Silver Chicón and Herminia Loh was described as serendipitous, with extensive rehearsal time deepening their on-screen chemistry and emotional credibility. The film's international financing, while complex, allowed for filming under improved conditions without compromising the director's vision.



