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SNL's Design Masters: From Sketch to Live Show
19 Jun
Summary
- Costume and production designers face weekly pressure to create sets and outfits.
- The design process begins Wednesday night for a Saturday night live show.
- Designers rely on extensive archives for past sketches and costumes.

The weekly creation of "Saturday Night Live" involves a compressed timeline for its design and craft teams. Production designer Keith Raywood, with over 800 episodes to his name, and costume designer Tom Broecker, describe a process that kicks into high gear on Wednesday nights. Scripts are received, and the race begins to bring sketches from the page to the live broadcast by Saturday.
Broecker emphasizes the collaborative nature, where designers help writers articulate visual concepts, often starting work late Wednesday and continuing early Thursday. Raywood follows a similar schedule, with Wednesday nights dedicated to production meetings for each sketch. He notes that challenging sketches, while demanding, are often the most rewarding, with a team ethos centered on finding solutions rather than saying no.
Both departments leverage extensive archives. Raywood draws on decades of past set pieces, while Broecker refers to his costume collection as a "magic closet." This allows them to re-imagine and utilize existing elements, though they must ensure alignment with the writers' precise intentions. This dynamic requires constant adaptation, especially with cast members who bring unique creative needs to each episode.