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Montreal Artist's Dog Barks on New Art-Punk Album

Summary

  • Singer Hélène Barbier's third album features her dog Toody barking on a track.
  • The album blends art-punk with playfully disorienting sounds and laconic vocals.
  • Barbier maintains a cool demeanor despite lyrical themes of malaise and rupture.
Montreal Artist's Dog Barks on New Art-Punk Album

Montreal-based singer-songwriter Hélène Barbier has unveiled her third solo album, 'Panorama,' an art-punk offering that masterfully blends playful disorientation with an unwavering sense of cool. The album's centerpiece, 'Plastique Couch,' notably features vocal contributions from Barbier's own dog, Toody, whose barks are integrated seamlessly into the track's groove, adding a unique textural element.

Across 'Panorama,' Barbier navigates themes of ruptured relationships and existential malaise with a distinct nonchalance. Her cryptic yet compelling lyrics are delivered with a laconic style that makes the album surprisingly addictive. Songs like 'Dans l'os' explore relationship decay without apparent distress, while 'Water' offers icy contempt over shimmering guitars reminiscent of Tom Verlaine.

The synth-splattered 'Milquetoast' exemplifies the album's deceptively jovial tone, even as it touches upon boredom. Barbier's ability to combine challenging lyrical content with an accessible, art-punk sound solidifies her unique appeal, making 'Panorama' a noteworthy release for its inventive sonic palette and artistic confidence.

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Hélène Barbier is a Montreal singer-songwriter who has released her third solo album, 'Panorama,' featuring art-punk sounds and unique vocal elements.
'Panorama' is unique for its playfully disorienting art-punk style and the inclusion of her dog's barks on the track 'Plastique Couch.'
The album explores themes of ruptured relationships and existential malaise, delivered with a characteristic cool and laconic style.

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