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Herzog's 'Bucking Fastard' Rejects Cannes Amidst Festival Shake-up
11 May
Summary
- Werner Herzog's film declined Cannes invitation after not securing a competition slot.
- Major US studios are largely absent from Cannes this year due to release schedules.
- The festival market remains active for acquiring independent and developing projects.

Werner Herzog's film "Bucking Fastard" has declined an invitation to the Cannes Film Festival, reportedly due to not being selected for a competition slot. The 79th iteration of the festival is experiencing a notable decrease in major studio presence, with anticipated blockbusters and awards contenders from Hollywood absent.
This diminished U.S. film presence is attributed to factors including films not being completed in time and studios opting out of costly promotions for films with distant theatrical releases. Veteran sales agent John Sloss noted Cannes' historical challenge for American awards-related films due to its calendar placement.
Despite the lack of major studio premieres, Cannes remains a vital market for distributors. They are actively seeking to acquire titles for their 2026 and 2027 slates, ranging from finished films to development packages. Buzzworthy projects, including action films and prestige dramas, are expected to generate significant interest.
The independent film sector faces market insecurities, though recent box office performance shows improvement with domestic grosses up over 20% year-over-year. CinemaCon in Las Vegas recently conveyed positive sentiments toward the cinema business, signaling potential recovery.
Distributors observe a market trend where success is increasingly binary: films either immensely connect or fail significantly, with a wider gap between hits and flops. Recent indie releases struggled to achieve substantial global earnings, even with star power.
Audience preferences are shifting, with younger viewers embracing genre-bending and unique arthouse films, contrasting with the traditional older demographic for such movies. Companies like Manifest Pictures are launching with slates targeting this evolving audience.
Industry consolidation, such as Disney's acquisition of 21st Century Fox and a pending deal for Paramount to purchase Warner Bros. Discovery, is impacting the market landscape. This creates fewer opportunities for bidding wars and results in a more condensed market.
Mentioned films like "Avedon," "The Man I Love," and "Coward" are among those seeking distribution at the festival. Neon, a consistent Palme d'Or winner, is presenting a strong slate of nine films, underscoring its significant presence and confidence in its offerings.