Filmmaker Defends Item Songs in Hit 'Thamma' as Narrative Devices

In a recent interview, filmmaker Aditya Sarpotdar, whose latest release 'Thamma' has been a box office success, addressed the ongoing criticism surrounding the film's inclusion of three item songs. Sarpotdar, who earlier delivered the horror-comedy hit 'Munjya', explained his creative reasoning, emphasizing that the tracks are not merely for glamour but are woven into the narrative to enhance its rhythm and emotional beats.

Responding to the backlash, Sarpotdar stated that these item songs are "marketing assets" that lead audiences into the film, and what truly matters is the story that unfolds through them. He pointed out that the same audience that loved similar songs in his previous hit 'Munjya' now seems to have a problem with the inclusion of such tracks in 'Thamma'.

Sarpotdar's response reflects a broader conversation about the evolving role of item songs in contemporary cinema. While they were once standalone entertainment numbers, these songs are now being used as narrative devices and powerful promotional tools. As the filmmaker puts it, what ultimately matters is the story that remains long after the music fades.

With 'Thamma', Sarpotdar once again proves that commercial appeal and storytelling can coexist, even if it means defending a few catchy beats along the way.