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Femcels: London's New Sound of Euphoria & Despair
20 Mar
Summary
- The Femcels blend euphoric and depressive sounds with wired vocals.
- Their debut album explores modern womanhood issues like body image and online life.
- The band's aesthetic draws from 2000s electroclash and indie-pop genres.

The music of the Femcels, comprised of Rowan Miles and Gabriella Turton, is characterized by its euphoric yet depressive tones, delivered with unvarnished, high-tempo vocals. This sound echoes the spirit of 80s and 90s twee music, offering a fresh perspective on young womanhood in 2020s London. Their lyrics, a mix of sung and spoken word, are explicitly feminine and updated for the modern age.
Their debut album, 'I Have to Get Hotter,' released earlier in 2026, explores contemporary issues such as catastrophic body image, coding, clout, and disengaged partners. The tracks are laced with irony, but reveal darkly funny truths about modern life, exemplified by Miles's lyrics about online interactions.
Stylistically, the Femcels draw inspiration from 2000s and early 2010s electroclash and indie-pop. Produced by Ike Clateman and Leo Fincham (Worldpeace DMT), the album is a genre-bending fusion. It incorporates influences from bands like CSS, Edward Sharpe and the Magnetic Zeroes, and Vampire Weekend, even featuring a cover in the style of The Teenagers.
The album's infectious energy allows its exploration of unconventional tastes to be readily embraced. 'I Have to Get Hotter' is described as a freaky, sharply observed, and unholy mix, making it a fitting soundtrack for the present time.