Electra & Persona: Dual Roles, Endless Intrigue

Benedict Andrews' production of "Electra" and "Persona" offers a unique theatrical experience, blending Sophocles' ancient tragedy with Ingmar Bergman's classic film. Cate Blanchett and Nina Hoss inhabit dual roles, unpredictably switching between Electra/Clytemnestra and Elisabeth/Alma based on a nightly coin toss. This innovative approach aims to explore mother-daughter dynamics and the nature of performance.

The ancient Greek tragedy segment is particularly praised for its raw energy and searing performances, especially from Nina Hoss as a compelling Electra. Cate Blanchett delivers a commanding portrayal of Clytemnestra. The staging, set on an ascending staircase, is stark and effective, amplified by a driving sound design.

However, the adaptation of Bergman's "Persona," a film renowned for its psychological depth, struggles on stage. Andrews' use of screens and handheld cameras, re-enacting film scenes, is deemed hackneyed. While some clever thematic overlaps exist, the "Persona" half is described as sterile, with Alma's monologues feeling like mere chatter against Elisabeth's profound silences.