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Gayageum Virtuoso Kim: Bridging Worlds with Sound
28 Apr
Summary
- Kim, a gayageum player, is a rising star in jazz.
- Her debut album, "Wellspring," features a unique quartet.
- She blends traditional Korean music with avant-garde improvisation.

DoYeon Kim, a 34-year-old musician, is rapidly gaining recognition in New York's jazz and improvised music scene with the gayageum, a traditional Korean zither dating back to the sixth century. Despite the instrument's novelty, Kim has become an in-demand collaborator, recently touring Europe with pianist Kris Davis and recording with artists like Anna Webber and Ingrid Laubrock.
Kim's approach emphasizes the nuances of Korean music, where the "after" of a note, manipulated by the left hand, is as crucial as the initial sound. This unique style has captivated peers like drummer Tomas Fujiwara. Her debut as a bandleader, "Wellspring," released on the Tao Forms label, features a quartet with drummer Tyshawn Sorey, violist Mat Maneri, and bassist Henry Fraser.
The album's compositions, inspired by dreams and nature, explore diverse sonic territories, from stark beauty to corrosive textures. Tracks like "The Beats of Distant Thunder" and "Walking in the Dream" showcase Kim's ability to weave intricate musical narratives. Her journey to this point involved overcoming personal and cultural challenges, including abandoning dance for music and finding her voice in improvisation.
Initially coming to the U.S. to promote Korean culture, Kim found her calling in contemporary improvisation after studying at the New England Conservatory and Berklee Global Jazz Institute. She discovered that the emotional honesty in improvised music allowed her to express long-repressed feelings, stemming in part from her upbringing in Seoul. "Wellspring" marks a new phase, as Kim seeks to explore more universal themes beyond personal confession, aiming to serve the world through her music.