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Devendra Banhart: Counterpoint to Modern Music
17 Sep
Summary
- New album acts as a counterpart to previous release.
- Artist's success is attributed to honest musical responses.
- Music defies contemporary context, offering a unique sound.
Devendra Banhart's "Niño Rojo" presents a distinct collection of songs, recorded concurrently with his critically acclaimed "Rejoicing in the Hands." The album effectively serves as a sonic companion piece to its predecessor, offering listeners a deeper dive into the artist's unique creative output from that period. Michael Gira, founder of Young God Records, emphasized Banhart's organic rise to prominence, suggesting his popularity stems from genuine audience reception to his music.
The reviewer notes a shift in perception, acknowledging that Banhart's music, while consistently idiosyncratic, now feels more integrated with the current cultural moment. Previously seen as existing outside of time, his songs are now posited as a deliberate counterpoint to the frenetic pace of modern music consumption. This positioning suggests that "Niño Rojo," alongside "Rejoicing in the Hands," may eventually be viewed as a definitive body of work.
Despite the shared recording sessions, "Niño Rojo" offers a different listening experience. The album's surreal lyrical themes and relaxed vocal delivery are presented as an antidote to contemporary musical habits. While the music itself hasn't changed, the listener's context and reception might. The reviewer anticipates a slightly less fervent, though still appreciative, reception for this release compared to Banhart's prior work.