Orchestra Rocks Out: Classical Meets Metal

The Southbank Centre's annual "orchestra-powered" multi-arts event featured a unique concert where the Philharmonia orchestra fused classical hits with rock anthems. Artistic director Mark Ball promised a loud evening, and the performance delivered, attracting a diverse audience.

The orchestra, led by conductor Santtu-Matias Rouvali, embraced a more relaxed aesthetic, with some musicians sporting leather jackets and band merch. Rouvali himself reappeared after the interval with substantial eyeliner. The concert highlighted the impressive power of a large orchestra, as evidenced by the audience's marvel at the sound's origin.

The performance reveled in sonic power. While the Philharmonia's strings were heavily amplified during Wagner's 'Ride of the Valkyries,' the addition of electric guitars, bass, and drums behind protective screens amplified the bass and rhythmic drive. The program also included Holst's 'Mars,' Mahler's 'Adagietto,' and Vivaldi's 'Summer,' alongside symphonic arrangements of rock favorites.

Metallica's 'Orion' and Suzi Quatro's 'Can the Can' were presented with vibrant orchestral arrangements. Quatro's vocal performance, though punk-influenced, surprisingly suited Bob Dylan's 'Knockin' on Heaven's Door.' Additional star power came from The Kills' Alison Mosshart and Finnish rocker Mr Lordi, who engaged the audience.

The concert's success was largely attributed to Rouvali's energetic direction. Notably, the former rock drummer swapped his podium for a drum kit to conclude the show with Lordi's 'Hard Rock Hallelujah,' driving the performance to its finale from the rhythm section.