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Indie Supergroup Mines Pop Obsession
10 Sep
Summary
- David Feck leads an indie pop supergroup with diverse musical influences.
- The album explores themes of loving records too much and escapism.
- Covers of Dead Moon, The Chills, and Vic Godard add depth to the project.
David Feck, known for his work with Comet Gain, has brought together a remarkable ensemble for a one-off project named Cinema Red and Blue. This indie pop supergroup includes members from bands such as Crystal Stilts, the Clean, the Aislers Set, and Ladybug Transistor. The resulting album is a collection of power-pop tracks that reflect on a deep, perhaps obsessive, love for music.
Feck's songwriting anchors the record, offering a blend of self-deprecation and affectionate nostalgia. The lyrical themes often revolve around escapism through art, with characters finding solace in music and metaphorical spaces. This yearning is presented with a nuanced perspective, acknowledging its darker side.
The album features songs like "Ballad of a Vision Pure," "Melanie Down," and "Ghost Confessions," which explore the joys and sorrows of being lost in sound. Cinema Red and Blue also includes interpretations of songs by Dead Moon, the Chills, and Vic Godard and the Subway Sect, demonstrating a cohesive artistic sensibility.
Ultimately, the project celebrates the power of pop music, with Feck yielding to its affectionate pull. The music's bright, jangling sound complements the introspective lyrics, creating an affecting and knowing record about the foibles of deep musical devotion.
