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China's TV Industry Transforms with Quality-Driven Renewal and Microdrama Boom
1 Nov
Summary
- Drama registrations rose in 2024 despite economic uncertainty
- IP adaptation dominates, with literary and online fiction as vital sources
- Warm realism blends social commentary and emotional optimism

According to the "Blue Book of China TV Series 2025" report, China's TV industry is currently undergoing a transformative shift towards quality and creative renewal. Despite global economic uncertainty and fierce competition from short-video and gaming platforms, drama registrations actually rose in 2024, signaling that investor confidence in long-form television remains resilient.
The report identifies a quality-driven transformation as the sector's defining direction, anchored by stronger storytelling, diversified IP, and improved production standards. IP adaptation continues to dominate, accounting for about 60% of new scripted series, with literary and online fiction becoming vital sources of material. This has driven the creation of character-focused, high-craft dramas that blend social commentary with emotional optimism, such as "The Tale of Rose," "War of Faith," and "A Common Person's Song."
Notably, the microdrama sector is described as "production without barriers," a creative democratization that is forcing established studios to rethink audience engagement and monetization models. The report highlights that China's mini-series market grew from RMB36.86 billion ($5.1 billion) in 2021 to RMB373.9 billion ($51.5 billion) in 2023 and could surpass RMB1 trillion ($137 billion) by 2027. This rapid growth has pushed traditional producers to experiment with condensed narrative structures while retaining cinematic depth.
Concluding, the report cites Wong Kar-wai's "Blossoms Shanghai" as emblematic of the medium's artistic resurgence and industrial maturity, with the message that "quality is king" and Chinese television's future depends on fusing disciplined storytelling with the agility demanded by a rapidly evolving screen economy.




