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Indie Producers Bridge Borders for Film Finance
16 Feb
Summary
- Canadian producers use international treaties for film financing.
- Co-productions help scale financing and expand global reach.
- This model balances risk and resources across multiple countries.

Canadian independent producers are strategically leveraging international treaty co-productions to secure financing and expand their global reach amidst shifts in U.S. moviemaking economics. Projects like 'Nina Roza,' a Canada-Belgium-Bulgaria-Italy co-production directed by Geneviève Dulude-De Celles, and Jérémy Comte's 'Paradise,' a Canada-Ghana thriller, exemplify this trend. These collaborations are essential for unlocking additional funding and navigating the complexities of cross-border creative and financial contributions.
The co-production model provides a vital framework for filmmakers, enabling them to realize their visions by pooling resources and creative talent from different nations. Nat Boltt's directorial debut, 'Holy Days,' a Canada-New Zealand co-production with 21 financiers, highlights the extensive deal-making required. This approach is increasingly driven by unique stories, often from filmmakers with immigrant roots, seeking audiences worldwide.




