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Brixton Community Cinema Ends Run Next Month
22 Sep
Summary
- Brixton Community Cinema, a roving pop-up, will close next month.
- Founder Abiba Coulibaly cited unsustainable workload for one person.
- The cinema focused on international repertory and arthouse films.

The Brixton Community Cinema (BCC), a highly regarded roving film project, is set to close next month. Founder Abiba Coulibaly announced the farewell season, stating the decision stems from the project's unmanageable growth for a single individual.
Launched in 2022, the BCC operated as a pay-what-you-can pop-up cinema. It gained recognition for its eclectic programming, focusing on international repertory and arthouse films, attracting cinephiles to various London venues.
Coulibaly explained that while she always viewed BCC as an experiment, the administrative and financial burden of scaling up became overwhelming. She found it impossible to manage the bureaucracy alone, leading to significant personal time and financial loss.
Despite being well-attended and praised by critics, the cinema received no substantial institutional funding or investment. Coulibaly noted difficulties in aligning values with potential partners and only secured minor support, such as a £2,500 donation from WeTransfer for the final season.
Audiences sought cinema experiences that addressed real-world concerns rather than escapism. Coulibaly observed a desire to discuss current events through film, noting the impact of global issues like the genocide in Palestine on programming.
She also highlighted audience disillusionment with institutional failings and problematic histories within many cultural spaces. The BCC aimed to offer a less compromising cultural environment.
The final season's programming reflects a broad geographical scope, with films from Madagascar, Pakistan, and Malaysia, aiming to mirror the diversity of London.
Coulibaly is not disappearing entirely, continuing her role as a programmer for the Open City Documentary Festival and pursuing independent programming work.
Discussions about consolidating the cinema's archive into an anthology, featuring essays, texts, and interviews related to its social and political context, are ongoing but contingent on funding.