Bands' Final Albums: Brilliant Music, Disastrous Endings

Great bands often reach an end, but some conclude with a final album that disappoints fans and critics alike. These albums don't erase past brilliance but add an unwanted final chapter. Genesis's 'Calling All Stations' in 1997, following Phil Collins's departure, bombed despite some decent tracks. Creedence Clearwater Revival's 'Mardi Gras' (1972) proved disastrous with a democratic approach to songwriting. U2's 'Songs of Innocence' (2014) faced backlash due to its unsolicited distribution to every iPhone. Weezer's 'Raditude' (2009) attempted a Top 40 comeback with outside collaborators, resulting in a fall from grace. Aerosmith's 'Draw the Line' (1977) descended into chaos, while Run-D.M.C.'s 'Crown Royal' (2001) featured guest spots that diluted their sound. The Beach Boys' 'Still Cruisin'' (1989) felt like coasting on their name. The Velvet Underground's 'Squeeze' (1973) was released with no original members. Elton John's 'Leather Jackets' (1986) suffered from poor vocals and dated production. R.E.M.'s final album, 'Collapse Into Now' (2011), was a dignified but unsurprising exit, with the descent having started earlier.