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Bandar: Kashyap's Prison Drama Explores Me-Too's Gray Areas
5 Jun
Summary
- Anurag Kashyap's 'Bandar' probes the complexities of consent and male privilege.
- Bobby Deol delivers a career-defining performance as the accused Samar Malhotra.
- The film transitions from a moral dilemma to a stark prison drama.

Anurag Kashyap's latest film, 'Bandar,' delves into the murky waters of the Me-Too movement, presenting a narrative that challenges viewers' ethical boundaries. The film centers on Samar Malhotra, a former entertainment figure portrayed by Bobby Deol in a pivotal performance, accused of rape.
The narrative forces audiences to confront uncomfortable questions about consent, male privilege, and the societal rehabilitation of accused individuals. It swings between empathy for Samar's harsh prison experiences and understanding the perspective of the woman who claims to be a victim.
While the film effectively depicts Samar's degradation in prison, it also subtly shifts its sympathies, raising questions about his true culpability. The story, reportedly based on a real-life case, uses a spare, scrappy style that complements its exploration of a man who is neither wholly innocent nor entirely guilty.
The film's climactic act of breaking the fourth wall aims to reignite the Me-Too conversation, which has been subdued by powerful figures. 'Bandar' is noted as Kashyap's strongest film in some time, offering a complex look at a flawed protagonist and the enduring impact of sexual assault allegations.