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Balanchine's 'Pithoprakta': A Dark Celestial Ballet
17 Oct
Summary
- Rarely seen Balanchine work 'Pithoprakta' returns to stage.
- Ballet explores a darker, mystical, and otherworldly dimension.
- Performance driven by modernist score and unique stage lighting.

George Balanchine's "Pithoprakta," a work rarely seen since its 1968 debut, has been brought back to life by Suzanne Farrell at City Ballet. This ballet transforms the conventional stage into a vital laboratory for new movement, driven by the modernist score of Iannis Xenakis. The production features striking visual elements, with spotlights creating miniature tableaus that reveal dancers in motion, resembling nimble moonwalkers.
Mira Nadon and Davide Riccardo lead the performance, supported by an eerie corps de ballet. Farrell's revival emphasizes the work's urgent and wrenching quality, pushing ballet's otherworldly essence into a darker, more mystical dimension. Created shortly before the first moon landing, the ballet possesses a celestial atmosphere that evokes both the vastness of outer space and the complexities of earthly life. "Pithoprakta" is presented not as a place for polite dancing, but as a visceral exploration of movement that remains remarkably contemporary.