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Home / Arts and Entertainment / Aman Pant: Blending Indian Soul with Global Sound

Aman Pant: Blending Indian Soul with Global Sound

8 Dec

•

Summary

  • Pant infused tribal Nagaland sounds with modern elements for 'The Family Man 3'.
  • He recorded a 40-piece orchestra in Budapest for 'Single Papa'.
  • His unique style combines Indian instruments with global soundscapes.
Aman Pant: Blending Indian Soul with Global Sound

Aman Pant, a distinguished composer, has carved a unique niche by seamlessly navigating the realms of film, OTT platforms, and advertising. His musical journey is characterized by a profound ability to fuse deeply rooted Indian cultural elements with contemporary global soundscapes. This approach has led to critically acclaimed scores for projects like "The Family Man Season 3" and "Citadel: Honey Bunny."

Pant's creative process involves meticulous attention to cultural authenticity. For "The Family Man Season 3," set in Nagaland, he immersed himself in local music, recording traditional artists and incorporating tribal influences with electronic arrangements. Similarly, his work on "Single Papa" involved capturing a delicate father-son bond through a cohesive musical palette, even utilizing a 40-piece orchestra in Budapest to achieve a rich auditory experience.

His versatility extends to blending familiar Indian sounds with modern arrangements in projects such as "Dunki" and "Guns & Gulaabs." Pant emphasizes that music serves storytelling and emotional connection, regardless of the medium. With over 4,000 ad films to his credit, his career reflects continuous learning and a passion for exploring new musical territories.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.
Aman Pant traveled to Nagaland, recorded local artists, and fused tribal and Nagamese influences with electronic elements and unique instruments.
He found it joyful, with a lullaby becoming the emotional anchor. He also recorded a 40-piece orchestra in Budapest for the score.
He intentionally weaves in Indian instruments, even in modern soundscapes, ensuring his roots remain constant while adapting his expression.

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