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Greg Dulli: Ego, Music, and the Afghan Whigs' Return

Summary

  • Afghan Whigs blend soul, funk, and dark lyrics.
  • Greg Dulli explores male ego, sexuality, and hypocrisy.
  • Usher's involvement reignited the band for new music.
Greg Dulli: Ego, Music, and the Afghan Whigs' Return

The Afghan Whigs, renowned for their fusion of soul, funk, and introspective rock, have re-emerged with a sound as potent as their 90s classics. Frontman Greg Dulli's lyrical explorations delve into the complexities of the male ego, co-dependent relationships, and personal culpability. Raised in Ohio with a 'Huckleberry Finn childhood' and a mother with a rich record collection, Dulli's influences range from Motown to musicals. His early disillusionment with religion and experiences with family loss inform his songwriting.

The band's journey saw them rise during the post-Nirvana boom, signing with major labels and releasing seminal albums like 'Gentlemen' and 'Black Love'. Dulli reflects on confronting his own hypocrisy, particularly in songs examining male sexuality and chauvinism. After a hiatus where Dulli pursued solo projects and businesses, a pivotal performance backing Usher in 2013 revitalized the band's passion. This led to their first album in years, 'Do to the Beast', and a continued output, including their latest, 'Soft Control'.

Dulli, now 61, acknowledges mortality, deeply affected by the passing of collaborator Mark Lanegan. He views music as a constant companion, a 'co-pilot' through life's triumphs and sorrows. With only original drummer John Curley remaining from the early lineup, Dulli expresses deep satisfaction in continuing to make music with the Afghan Whigs, calling them a 'hot fuckin' band'.

Disclaimer: This story has been auto-aggregated and auto-summarised by a computer program. This story has not been edited or created by the Feedzop team.

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